music samples

Teresa Lotzeresa Lotz writes music and words. Her work includes Red Emma & the Mad Monk (NY Times Critic’s Pick, LadyFest 2018 at The Tank, Ars Nova ANT Fest 2017, dir. Katie Lindsay) written by Alexis Roblan, She Calls Me Firefly (World Premiere: Soho Playhouse, June 2018, dir. Ludovica Villar-Hauser), A Surrealist Sort of View (music, Prospect Theater Company’s WORLD VIEWS – 2017 Musical Theater Lab, dir. Dev Bondarin) with book-writer/lyricist Sarah Rebell, Mommy’s Little Princess (The Barbour Award Finalist, The Episcopal Actor's Guild, March 2018, dir. Daniella Caggiano), ThreeTimesFast (book and music) with bookwriter/lyricist Naomi Matlow (O'Neill Theater Festival Semi-Finalist, Pallas Theater Table Read Series Winner 2017, The Script at Stage 74, NYC, dir. Michael Bello 2017, New York Film Academy, Winter New Works Series 2016, NYC, dir. Robert Longbottom),  The Awakening (music) with bookwriter/lyricist Sarah Rebell (book/lyrics) (Reading, Musical Theatre Factory Developmental Series, Playwright’s Horizons, 2016 dir. Celine Rosenthal). Teresa is a member of New Perspectives Theatre Company Women's Work Lab (2012-2017), Dramatist’s Guild, ASCAP, and the League of Professional Theatre Women. Musical Theatre Writing, M.F.A. New York University.

Latest News

MAY 2019: Stay Tuned for more news about HIDDEN AWAY: A PIRATE MUSICAL - the musical I wrote for CO/LAB's spring show! Super stoked, and I wrote book, music AND lyrics (oh my!!)

MARCH 2019: Teresa's excited to have written 3 songs with the effervescent Naomi Matlow that are featured in ERROR 404: Engineers Not Found, Honest Accomplice's newest devised work about women and trans engineers! Buy tickets and learn more here.

MARCH 2019: Check out new songs from my new musical, MISTRESS!

MARCH 17-18 2019: Teresa's working with Parity Productions again, this time as sound designer for a short play by Carolyn Moses - Adam's Eve! More info and tickets here.

FEBRUARY 2019: Teresa was thrilled to join the New Dramatist's Composer-Librettist Lab this year. Two weeks of intensive full-time composing left her feeling on top of the world.